Flacofolio
Micro-Essays by Leonard Schwartz
Images by Heide Hatry
ISBN 978-1-963908-54-1 100 pages $20.00
Sample text of Flacofolio at Cable Street
Flacofolio fosters the mystery
of this haunting hero who so briefly graced and enraptured NYC. Replete with
insightful spirit-treasures, this book throws up the bones of the many
nourishing cultures from across the world, housed in one resilient city. Humor
and tragedy interweave here. Flacofolio soars with luminous artwork,
bringing passed wings flapping again into a vibrant Now. With a beak at the
peak of acuity, Flaco perches atop urbanity with a wide Third Eye, and homes in
on scintillating souvenirs. From the locked-down apartment window, who is the
voyeur and who is the lantern-eyed? From the cage of constraint, who is the
liberator, and who is being liberated?
This remarkable encounter between a
people and a bird, and between a poet and a visual artist, is also a beautiful
ode to New York City. It is filled with surprising insights and startling
cultural references. All in all, it makes for a perfect gift to give a
lover of nature, or a spiritual treasure to hold onto and cherish.
Phillip Lopate
Books are spaces of memory, an idea
poignantly embodied in the book-based assemblages that Heide Hatry has set in
dialogue with Leonard Schwartz’s suite of poems. Hatry’s cut, collaged, vividly
staged scenes, part reliquary and part theatrical vignette, demonstrate
exquisitely and deliberately the evidential and affective power of materials,
and celebrate and preserve the spirit of Flaco the beloved Eagle Owl, whose
symbolic freedom captivated New York. Their rich archaeology connects Flaco
with an intertextual field of associations and references through which the
artist invokes her personal memory of a shared cultural experience.
Joanna Drucker, author of The
Century of Artist’s Books and The Book as Art
In this exceedingly beautiful work, Schwartz and Hatry have bequeathed to us a portrait of Flaco, the Eurasian eagle-owl–a companion for derelict times that we did not know we needed. Woven from the winged creature’s debris, the book tells a tragic tale; in Flaco’s inscrutable gaze, we glimpse our own refracted through the ash and bone of the eagle-owl’s remaindered substance. In this majestic and somber portrait of a homely fate, Schwartz and Hatry have composed a fable for the permanent apocalypse which is our now.
Alexi Kukuljevic, author of Liquidation World: On the Art of Living Absently (MIT University Press)
Hatry’s evocative images add an
intense emotional dimension to this absorbing series of meditations on the life
and (imagined) experience of the celebrated Eagle Owl.
Errol Fuller, author of Extinct
Birds, Lost Animals, and Voodoo Salon
Heide Hatry and Flaco the Owl, what a perfect couple. Hatry has also escaped from her artworld cage and what better tribute to nature’s brave non-human souls than her witty and heartfelt collages.
Lucy R. Lippard, art critic, activist, curator, and writer of 26 books
Leonard Schwartz is the author of numerous books of poetry, including, most recently, Actualities I: Transparent, to the Stone, Actualities II and III: Two Burned Hotels, and Actualities IV/V Comic Earth (2021, 2022, 2023, Goats & Compasses). His three books with artist Simon Carr, Horse on Paper, Not a Snake and Salamander: A Bestiary (Chax Press, 2017), are also out and about.
Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has curated numerous exhibitions and has shown her work at museums and galleries all over the world. She has produced more than 200 artist’s books, edited dozens of art catalogues, and four of her larger projects (Skin, Heads and Tales, Not a Rose, and Icons in Ash) have been documented in monographic books.