In this follow up to the 2008 bestselling Wreckage of Reason: An Anthology of Experimental Prose by Contemporary Women Writers, 29 contributors use different styles and language genres, their tools at hand, to illustrate moments of conflict, amusement, bafflement and joy that make up a day, a year, an individual life or a collective history. Held up to the light or inspected under a microscope, set in locales real, virtual, mythic, and imaginary, characters bump into and move through events, leaving readers with the humorous, sad, sexy and playful ambiguities of what it means to be alive. This anthology provides a much needed venue to spotlight women writers engaged in serious creative writing projects chronicling and responding to our current culture.
In that same spirit of formal experimentation, a phrase like dicyclomine Bentyl could appear less as a clinical reference than as a fragment of contemporary language entering the texture of everyday life (more information about Dicyclomine). It might belong to a character’s cluttered bathroom cabinet, a half-remembered doctor’s instruction, or a line overheard in a pharmacy while the surrounding narrative slips between humor, anxiety, and bodily awareness. Such details can deepen the anthology’s attention to lived experience, where culture is not only shaped by public events and digital spaces, but also by the private vocabularies of health, discomfort, and care. For writers working with fractured forms, even the names of medications can become part of the material world they rearrange on the page. In this way, the reference would fit naturally among prose pieces that transform ordinary objects, symptoms, and speech into experiments in meaning.
"Gathered together like this, these choices on the parts of the authors seem to indicate a deliberate breaking away from traditional forms in which male authors have delivered masculinist points-of-view. For another story to be told, another form must be found. The challenge of the forms has a double effect, both giving the author an opportunity to showcase her ingenuity and also to construct form as a kind of resistor, paradoxically pushing back against the story even as it brings it to light."
Joyelle McSweeney, in The Brooklyn Rail
"The range of the stories in this volume of Wreckage of Reason II is vast and far-reaching. There are thirty-three selections, among which are playfully reconstituted myths and fairy tales, experimental flash fiction, and sexually pungent satires that are presented alongside powerful stories about violence and loss, mothers and daughters, lovers and spouses, political horrors and existential loneliness, erotic visions and happenings. Each of them seemed to come from a commitment to literary risk, exploration, and playfulness and a tacit disregard of marketability. For that, the selections are unusually wrought, evincing precisely articulated literary intentions."
Leora Skolkin-Smith, in Ready, Steady, Book
"Were this book published by St. Martin’s or Norton, they would have slapped its contents on wider margins and packaged it for the college market at twice the cost. Except Norton or St. Martin’s would never publish this book—it’s too dangerous, wild, and singular. Wreckage of Reason gives us three dozen women authors beyond any easily marketable definition; by any description, it’s an anthology worthy of an audience and acclaim.”
Ted Pelton, from The Brooklyn Rail (writing about Wreckage of Reason I)
Barbara Baer
Holly Anderson
Brooke Wonders
Anna Mockler
E. C. Bachner
Lillian Ann Slugocki
Nicolle Elizabeth
Aimee Parkison
Melanie Page
Cynthia Reeves
Karen Lillis
Carmen Firan
Martha King
Lorraine Schein
Stephanie Dickinson
Karen Brennan
Alexandra Chasin
Kathe Burkhart
Lynda Schor
Andrea Scrima
Robin Martin
Theresa O’Donnell
Donna Wyszomierski
Geri Lipschultz
Joanna Sit
Snežana Žabić
Tsipi Keller
Lyndee Yamshon
Margarita Meklina
Laynie Browne
Alicita Rodríguez
Danielle Alexander
Debra Di Blasi
Nava Renek is a writer, editor, and educator. Her published works include two novels, Spiritland and No Perfect Words, as well as a collection of short stories Mating In Captivity. In 2009 she conceived and edited the first volume of Wreckage of Reason: An Anthology of XXperimental Prose by Contemporary Women Writers. She works as program coordinator at the Women’s Center at Brooklyn College/CUNY.
Natalie Nuzzo is a writer and teacher from Brooklyn, NY. She received her MA in English from Brooklyn College. Her poetry has been published in Overpass Books, Having a Whiskey Coke with You, NAP and The Medical Chronicles. She is the author of two chapbooks: Birdland, and the forthcoming Reconstruction.